Comic's Corner · the Stand-Up Career Atlas

Stand-up comedy career paths: a map, not a ladder

The short answer

You can earn a living in stand-up without becoming famous. Most careers share a common start; from there, five paid routes run side by side: the clubs, your own shows, private and corporate events, colleges, and cruises and travel. Open a stop to see who decides, what they want to see and your next three moves.

  • 35 stops on the map
  • 5 paid routes
  • 9 buyers’ rules, in their own words

The atlas, in four parts

The map

From the first mic to a working career

Seven lanes: the common start, five paid routes and a discovery lane that runs beside them. Each lane's stops run in their usual order, but none is a gate: you can host while you produce your own room, work private events while you feature, or tour without television. Open a stop and it appears under the map.

The common start

Where the routes begin

Most routes share this work. No stopwatch, and no set career year.

  1. 01 · The actFirst stage-ready fiveStart with material you can test this week.Full roadmap
  2. 02 · The roomOpen-mic repetitionsKeep going up until the material improves, not just the confidence.Full roadmap
  3. 03 · The proofA usable live tapeMake it easy for a booker to judge the act itself.Full roadmap
  4. 04 · The invitationA booked spot that isn’t a micThe first invitation is an audition for the next one.Full roadmap
  5. 05 · The signalA booker brings you backFrom here, several routes can open at once.Full roadmap

Club circuit

A paid route

Audition, host, feature, headline, and get asked back.

  1. 01 · Get seenGuest spots & auditionsGet watched by the people who book the slot.Full roadmap
  2. 02 · Run the showHost and emcee workThe buyer is trusting you with the whole room, not just a set.Full roadmap
  3. 03 · Hold the middleFeature bookingsLonger is better only once the set holds a real audience.Full roadmap
  4. 04 · Close the roomHeadline a full showThe headline slot carries more risk and more responsibility.Full roadmap
  5. 05 · RebookA regular in the region’s clubsRepeat bookings in more than one town make this a business.Full roadmap

Your own shows

A paid route

Run the room, prove the demand, then try more towns.

  1. 01 · Own the roomProduce one real showMake your own stage time, with the costs counted.Full roadmap
  2. 02 · Find your peopleBuild a crowd that comes backA list of people who chose to hear from you survives any venue or app.Full roadmap
  3. 03 · Make it payA ticketed room that paysProfit, a good night for the audience, and a show you can run again: all three count.Full roadmap
  4. 04 · Leave homeTry the towns nearbyLearn each market with small trips that pay for themselves.Full roadmap
  5. 05 · Set the routeRun your own ticketed tourBuild a route because the demand is there, not because the map has gaps.Full roadmap

Private & corporate

A paid route

Fit the room, package the act and earn repeat event work.

  1. 01 · Fit the roomA tested clean setGive the buyer confidence that the act fits their guests.Full roadmap
  2. 02 · Show the workA package a buyer can say yes toA complete, accurate package makes the decision quicker.Full roadmap
  3. 03 · Get the yesPitch the right buyersThe question is whether this event suits your act.Full roadmap
  4. 04 · Protect the gigClose a written agreementSettle the deal before you travel or perform.Full roadmap
  5. 05 · RebookBuild repeat accountsA few buyers who come back can matter more than thousands of followers.Full roadmap

Colleges & campuses

A paid route

Get college-ready, then reach the buyers who book campuses.

  1. 01 · Read the campusAn act for campusesA campus is a buyer with a job to do, not just another comedy room.Full roadmap
  2. 02 · Ready to applyYour campus submission kitSend what the application asks for, in the form it asks.Full roadmap
  3. 03 · The marketplaceReach the campus buyersSpend on reaching a market only with a plan the evidence backs.Full roadmap
  4. 04 · The first dateYour first campus dateHow you handle the first campus date shapes the next one.Full roadmap
  5. 05 · Return bookingA campus act that’s asked backRepeat dates are the signal; a showcase is only the way in.Full roadmap

Cruises & travel

A paid route

Longer, versatile sets, auditions, contracts and repeat work.

  1. 01 · Length and fitSeveral sets that adaptShip and travel buyers want long, versatile sets: build them first.Full roadmap
  2. 02 · The packageSend an audition that convincesMany cruise roles want an experienced act: read each one’s terms.Full roadmap
  3. 03 · The dealWeigh the contractA booking is worth the whole contract, not the headline fee.Full roadmap
  4. 04 · The runComplete a travel engagementVersatility and easy logistics count as much as set length.Full roadmap
  5. 05 · StabilityTravel bookings that repeatRenewals and contracts that pay define success, not miles or ships.Full roadmap

Discovery & recordings

Alongside the routes

Visibility can help any route. It runs alongside them, not above them.

  1. 01 · DiscoveryPost strong stand-up clipsUse recordings to show the act, not to stand in for it.Full roadmap
  2. 02 · ExposureA festival or showcase that picks youChoose stages where your audience or your buyers will be.Full roadmap
  3. 03 · OptionalA stand-up set on televisionThe set has to stand on its own, and spots are few.Full roadmap
  4. 04 · Own your recordingRelease an album or specialA release is a lasting record and a way in for new audiences.Full roadmap
  5. 05 · The amplifierAn audience that buys ticketsAn audience of your own can open several paid routes at once.Full roadmap

The stops

The common start · stop 1 of 5Writer, just starting

First stage-ready five

Start with material you can test this week.

Open the full roadmap → 17 steps, each with its “done when”, where to send it, the notes to send and the proof to keep

Who decides

You, and the open mic’s host.

What they want to see

Five original minutes you can time, rehearse and change after an audience has heard them.

Worth knowing. Five minutes on paper and a proven five in a room are two different things.

Your next three moves

The common start · stop 2 of 5Open-mic comic

Open-mic repetitions

Keep going up until the material improves, not just the confidence.

Open the full roadmap → 19 steps, each with its “done when”, where to send it, the notes to send and the proof to keep

Who decides

The mic’s organiser, who runs the sign-up or the lottery.

What they want to see

You finish on time, keep notes and rewrite from what the room gave you.

Worth knowing. A mic set shows the material is growing; holding a paying audience is the next test.

Your next three moves

The common start · stop 3 of 5Comic with a reliable short set

A usable live tape

Make it easy for a booker to judge the act itself.

Open the full roadmap → 15 steps, each with its “done when”, where to send it, the notes to send and the proof to keep

Who decides

You choose what to send; the booker chooses what to watch.

What they want to see

One continuous take, the room’s laughs audible, and a strong opening that fits the length that buyer asks for.

Worth knowing. Tape lengths differ by buyer: Gotham asks for 2–5 minutes, Lafayette for 5–10.

Your next three moves

The common start · stop 4 of 5Showcase or guest comic

A booked spot that isn’t a mic

The first invitation is an audition for the next one.

Open the full roadmap → 16 steps, each with its “done when”, where to send it, the notes to send and the proof to keep

Who decides

A producer, a club’s talent buyer or an independent showrunner.

What they want to see

You deliver the minutes asked for to a real audience, arrive ready and follow the running order.

Worth knowing. A spot on a lineup may be unpaid, and a paid spot can still cost you more than it pays.

Your next three moves

The common start · stop 5 of 5Working short-set comic

A booker brings you back

From here, several routes can open at once.

Open the full roadmap → 14 steps, each with its “done when”, where to send it, the notes to send and the proof to keep

Who decides

The same producer, or a new buyer, decides to book you again.

What they want to see

A short set you can repeat, good timing, clear messages and a reference who will vouch for you.

Worth knowing. A repeat booking is a sign of trust; you can start on the other routes before you have one.

Your next three moves

Club circuit · stop 1 of 5Guest or showcase comic

Guest spots & auditions

Get watched by the people who book the slot.

Open the full roadmap → 18 steps, each with its “done when”, where to send it, the notes to send and the proof to keep

Who decides

A talent buyer, a club booker or a showcase’s organiser.

What they want to see

A short live set, and a tape made to that room’s own rules.

Worth knowing. A guest spot is a chance to be seen; regular work comes from what you do with it.

Your next three moves

Club circuit · stop 2 of 5MC or house host

Host and emcee work

The buyer is trusting you with the whole room, not just a set.

Open the full roadmap → 19 steps, each with its “done when”, where to send it, the notes to send and the proof to keep

Who decides

A club’s talent buyer or the show’s producer.

What they want to see

A tight opening, the announcements, clean hand-offs to each act, a room under control and the show on time.

Worth knowing. Hosting can be a career of its own, not only a step toward headlining.

Your next three moves

Club circuit · stop 3 of 5Feature act

Feature bookings

Longer is better only once the set holds a real audience.

Open the full roadmap → 21 steps, each with its “done when”, where to send it, the notes to send and the proof to keep

Who decides

A club buyer, a producer or a touring headliner’s team.

What they want to see

A complete, proven middle-length set, and unedited video of you in that role.

Worth knowing. Feature lengths differ from room to room: the Loony Bin in Tulsa asks for 30 minutes of tape, Funny Girl Events for 25.

Your next three moves

Club circuit · stop 4 of 5Club headliner

Headline a full show

The headline slot carries more risk and more responsibility.

Open the full roadmap → 17 steps, each with its “done when”, where to send it, the notes to send and the proof to keep

Who decides

A club’s talent buyer, a promoter or a venue’s programming team.

What they want to see

A strong full-length set, a record of rooms you’ve worked, and ideally people who come to see you.

Worth knowing. Headlining a show you put on and being booked to headline a club are different bookings.

Your next three moves

Club circuit · stop 5 of 5Touring regional club act

A regular in the region’s clubs

Repeat bookings in more than one town make this a business.

Open the full roadmap → 17 steps, each with its “done when”, where to send it, the notes to send and the proof to keep

Who decides

Several venues’ buyers and producers, each deciding for itself.

What they want to see

Repeat dates in different towns, clear deal terms and money left over after the trip.

Worth knowing. Miles on the map are not profit; take the dates that pay.

Your next three moves

Your own shows · stop 1 of 5Comic and producer

Produce one real show

Make your own stage time, with the costs counted.

Open the full roadmap → 17 steps, each with its “done when”, where to send it, the notes to send and the proof to keep

Who decides

You, and a venue that agrees in so many words to host the night.

What they want to see

The right room, a reason for the audience to come, a settlement agreed in advance and the comics paid as promised.

Worth knowing. The show is yours, and so are its costs, its staff and the other comics on it.

Your next three moves

Your own shows · stop 2 of 5Producer with a local draw

Build a crowd that comes back

A list of people who chose to hear from you survives any venue or app.

Open the full roadmap → 13 steps, each with its “done when”, where to send it, the notes to send and the proof to keep

Who decides

The ticket buyers, who decide whether to come back.

What they want to see

People who buy again, a mailing list they chose to join, and attendance figures you can show.

Worth knowing. Likes and followers are not tickets sold.

Your next three moves

Your own shows · stop 3 of 5Independent showrunner

A ticketed room that pays

Profit, a good night for the audience, and a show you can run again: all three count.

Open the full roadmap → 15 steps, each with its “done when”, where to send it, the notes to send and the proof to keep

Who decides

You, the ticket seller and the venue, agreeing on the money.

What they want to see

After every fee, the night covers the comics’ pay, the venue, the promotion and the other costs.

Worth knowing. A small room can sell out and still lose money.

Your next three moves

Your own shows · stop 4 of 5Independent touring act

Try the towns nearby

Learn each market with small trips that pay for themselves.

Open the full roadmap → 16 steps, each with its “done when”, where to send it, the notes to send and the proof to keep

Who decides

A local co-producer, a promoter, a venue and that town’s ticket buyers.

What they want to see

A show that already works, travel costs that make sense, and a partner who can reach that town’s audience.

Worth knowing. One town selling out says little about the next town.

Your next three moves

Your own shows · stop 5 of 5Independent touring headliner

Run your own ticketed tour

Build a route because the demand is there, not because the map has gaps.

Open the full roadmap → 16 steps, each with its “done when”, where to send it, the notes to send and the proof to keep

Who decides

You, and each promoter or venue under contract.

What they want to see

Ticket demand you can repeat, shows that come off, clear routing and clean settlements.

Worth knowing. A national tour is one goal among many, not a requirement or a sign of wealth.

Your next three moves

Private & corporate · stop 1 of 5Clean, adaptable comic

A tested clean set

Give the buyer confidence that the act fits their guests.

Open the full roadmap → 15 steps, each with its “done when”, where to send it, the notes to send and the proof to keep

Who decides

A private event’s planner or organiser, or an agency.

What they want to see

You can deliver suitable material, reliably, for a known audience and a set length.

Worth knowing. Clean is a limit on the set, not on how funny it is.

Your next three moves

Private & corporate · stop 2 of 5Comic ready for business

A package a buyer can say yes to

A complete, accurate package makes the decision quicker.

Open the full roadmap → 14 steps, each with its “done when”, where to send it, the notes to send and the proof to keep

Who decides

A buyer, or their representative, weighing up an act.

What they want to see

A clip that fits, a short bio, a photo, references, your dates and clear terms.

Worth knowing. A glossy press kit supports a reliable live set; it can’t stand in for one.

Your next three moves

Private & corporate · stop 3 of 5Comic booking direct

Pitch the right buyers

The question is whether this event suits your act.

Open the full roadmap → 13 steps, each with its “done when”, where to send it, the notes to send and the proof to keep

Who decides

A corporate planner, an association or a private event’s organiser.

What they want to see

An offer made for that event, with a clear set length, what you need from the venue and a price.

Worth knowing. Corporate events differ; each wants its own material and format.

Your next three moves

Private & corporate · stop 4 of 5Comic under contract

Close a written agreement

Settle the deal before you travel or perform.

Open the full roadmap → 14 steps, each with its “done when”, where to send it, the notes to send and the proof to keep

Who decides

The buyer and you, directly or through a representative.

What they want to see

In writing: the date, set length, fee, travel, when you’re paid, cancellation and the technical needs.

Worth knowing. “We’ll take care of you” is a promise; a written deal is a settlement.

Your next three moves

Private & corporate · stop 5 of 5An event buyer’s first call

Build repeat accounts

A few buyers who come back can matter more than thousands of followers.

Open the full roadmap → 14 steps, each with its “done when”, where to send it, the notes to send and the proof to keep

Who decides

Organisations, planners or agencies booking you again.

What they want to see

Events that went well on record, referrals from clients and quick follow-through.

Worth knowing. One big fee is one date; a steady market is several buyers coming back.

Your next three moves

Colleges & campuses · stop 1 of 5College-ready comic

An act for campuses

A campus is a buyer with a job to do, not just another comedy room.

Open the full roadmap → 17 steps, each with its “done when”, where to send it, the notes to send and the proof to keep

Who decides

A student programming board or a campus’s talent buyer.

What they want to see

A well-tested set that fits the college’s and the event’s own rules.

Worth knowing. Each college has its own rules, audience and content limits.

Your next three moves

Colleges & campuses · stop 2 of 5Applying to the college market

Your campus submission kit

Send what the application asks for, in the form it asks.

Open the full roadmap → 16 steps, each with its “done when”, where to send it, the notes to send and the proof to keep

Who decides

An agency, a campus’s selection committee, or both.

What they want to see

Demo video that suits a school, a short bio, photos and the bookings you’ve really had.

Worth knowing. Each buyer asks for its own media and credentials.

Your next three moves

Colleges & campuses · stop 3 of 5Act showcasing or pitching to campuses

Reach the campus buyers

Spend on reaching a market only with a plan the evidence backs.

Open the full roadmap → 16 steps, each with its “done when”, where to send it, the notes to send and the proof to keep

Who decides

Campus buyers, agencies and the people who choose an association’s showcases.

What they want to see

Eligibility, membership, fees, deadlines and show materials that suit.

Worth knowing. NACA is a paid professional route; you can work at a college without it.

Your next three moves

Colleges & campuses · stop 4 of 5Booked campus comic

Your first campus date

How you handle the first campus date shapes the next one.

Open the full roadmap → 18 steps, each with its “done when”, where to send it, the notes to send and the proof to keep

Who decides

The campus buyer with authority, or your agent under contract.

What they want to see

A confirmed booking, a set that fits and a clean settlement after.

Worth knowing. Travel and the campus’s own rules are in the contract; read them there.

Your next three moves

Colleges & campuses · stop 5 of 5Established college-market act

A campus act that’s asked back

Repeat dates are the signal; a showcase is only the way in.

Open the full roadmap → 15 steps, each with its “done when”, where to send it, the notes to send and the proof to keep

Who decides

Schools, buyers who come back and the agents who represent you.

What they want to see

A run of good campus dates, references, and travel routed so it pays.

Worth knowing. A conference showcase is a door; the campus tour comes from the dates that follow.

Your next three moves

Cruises & travel · stop 1 of 5Act for the travel market

Several sets that adapt

Ship and travel buyers want long, versatile sets: build them first.

Open the full roadmap → 15 steps, each with its “done when”, where to send it, the notes to send and the proof to keep

Who decides

A travel entertainment buyer or an approved agent.

What they want to see

Long, reliable material that suits particular audiences and the venue’s rules.

Worth knowing. One agency asks for two shows of 30–55 minutes; another for 90+ minutes of clean material.

Your next three moves

Cruises & travel · stop 2 of 5Cruise or resort applicant

Send an audition that convinces

Many cruise roles want an experienced act: read each one’s terms.

Open the full roadmap → 17 steps, each with its “done when”, where to send it, the notes to send and the proof to keep

Who decides

An entertainment agent or the cruise line’s own buyer.

What they want to see

An unedited performance reel, your real experience, your availability and readiness to travel.

Worth knowing. Ship work comes through the line or an established agent; a fee up front for a “guaranteed” placement is not one.

Your next three moves

Cruises & travel · stop 3 of 5Up for a ship or resort booking

Weigh the contract

A booking is worth the whole contract, not the headline fee.

Open the full roadmap → 13 steps, each with its “done when”, where to send it, the notes to send and the proof to keep

Who decides

The employer or booking representative named in the contract.

What they want to see

Clear pay, travel, housing, length, number of shows and cancellation terms.

Worth knowing. Ship work can come with its own employment agreement and visa requirements.

Your next three moves

Cruises & travel · stop 4 of 5Booked ship or resort comedian

Complete a travel engagement

Versatility and easy logistics count as much as set length.

Open the full roadmap → 14 steps, each with its “done when”, where to send it, the notes to send and the proof to keep

Who decides

The ship’s entertainment team or the resort’s show director.

What they want to see

Reliable shows across every one you’re given, and a professional in a shared workplace.

Worth knowing. A set that works in a club still has to be tested on a ship’s audience.

Your next three moves

Cruises & travel · stop 5 of 5Returning travel-market act

Travel bookings that repeat

Renewals and contracts that pay define success, not miles or ships.

Open the full roadmap → 14 steps, each with its “done when”, where to send it, the notes to send and the proof to keep

Who decides

A cruise line, a resort or an entertainment agent booking you again.

What they want to see

Good evaluations, a clean contract history, current material and dates you can really keep.

Worth knowing. Travel-heavy schedules trade time at home for bookings.

Your next three moves

Discovery & recordings · stop 1 of 5Working live comic with stand-up worth sharing

Post strong stand-up clips

Use recordings to show the act, not to stand in for it.

Open the full roadmap → 14 steps, each with its “done when”, where to send it, the notes to send and the proof to keep

Who decides

Audiences decide to watch; buyers may see the work too.

What they want to see

A strong excerpt, permission to film, and an easy way to the next live show.

Worth knowing. Views are attention; tickets are the audience.

Your next three moves

Discovery & recordings · stop 2 of 5Festival or curated showcase comic

A festival or showcase that picks you

Choose stages where your audience or your buyers will be.

Open the full roadmap → 18 steps, each with its “done when”, where to send it, the notes to send and the proof to keep

Who decides

A festival’s selection committee or a show’s producer.

What they want to see

A strong application that meets that programme’s eligibility and stand-up format.

Worth knowing. Festivals can cost a lot; being picked opens doors, and the bookings come from what follows.

Your next three moves

Discovery & recordings · stop 3 of 5Late-night stand-up comic

A stand-up set on television

The set has to stand on its own, and spots are few.

Open the full roadmap → 17 steps, each with its “done when”, where to send it, the notes to send and the proof to keep

Who decides

The show’s talent team and producers.

What they want to see

An excellent short set that suits the show’s format and its editorial rules.

Worth knowing. A late-night set is a credit; the career is still built in the rooms.

Your next three moves

Discovery & recordings · stop 4 of 5Recorded stand-up artist

Release an album or special

A release is a lasting record and a way in for new audiences.

Open the full roadmap → 13 steps, each with its “done when”, where to send it, the notes to send and the proof to keep

Who decides

You, or a real production and distribution partner.

What they want to see

A full set tested again and again, a strong recording, and clear rights and release terms.

Worth knowing. Releasing a full hour retires that material in the public eye.

Your next three moves

Discovery & recordings · stop 5 of 5A live comic people come out for

An audience that buys tickets

An audience of your own can open several paid routes at once.

Open the full roadmap → 13 steps, each with its “done when”, where to send it, the notes to send and the proof to keep

Who decides

Audiences, choosing a show.

What they want to see

Repeat sales in your town, referrals, fans who signed up to hear from you, and demand in each market.

Worth knowing. Followers, streams and TV credits are each different from tickets sold.

Your next three moves
Your next move

Four answers, one good next stop

There's no ladder by age and no pass mark. Say where your act is and what work you want, and the map points to a practical next step. Change the answers any time; they stay in this browser.

Where you are
A good next stop

First stage-ready five

Start with material you can test this week.

  1. Write and time a five-minute draft.
  2. Find two nearby open mics and read how sign-up works.
  3. Choose the one bit you most need to test.
Open this stop →

The set length is your own measure, not a test. Each booker decides what their show needs.

Where else to start

Never been up? The Stand-Up Starter Course takes you from a blank page to your first open mic in ten short modules. On the club route already? Stage Time's ladder keeps the rung you're on, and Road Maps' Where are you? lays out each stage's next ninety days.

What buyers ask for

9 buyers, in their own words

Published submission rules from clubs, a producer, a college agency, the campus buyers' association and two cruise agencies, each checked on its own page on 10 November 2026. They differ, and that difference is the lesson: send each buyer what its page asks for, and read the page again before you send.

What each buyer's own page asks a comedian to send
The buyerWhat its page asks forRead it
Gotham Comedy Club, New YorkClub · its New Talent ShowcaseA 2–5 minute tape with clean audio and a clear view of you on stage.Its page ↗
Bushwick Comedy, BrooklynClub · comics from out of townYour best five minutes as a YouTube link, a definite window of dates, and the tape in at least two months before them.Its page ↗
Lafayette ComedyClub · openers, features, headlinersA 5–10 minute stand-up video, not set to private. Its own examples of set lengths: an opener 5–10 minutes, a feature 10–25, a headliner 40–60. References who can vouch for you.Its page ↗
Funny Girl EventsProducer · features and headlinersOne continuous, uncut video of a full set: emcee 15 minutes, feature 25, headliner 45. Clear sound and light, no explicit language. For comics who already feature or headline at clubs.Its page ↗
The Loony Bin, TulsaClub · MC, feature, headlinerFull-length, unedited set video: 15 minutes to be considered as MC, 30 as feature, 45 as headliner.Its page ↗
GP College EntertainmentAgency · collegesAt least 5–8 minutes of clean, college-appropriate material on video, a bio of 200 words at most, two high-resolution photos and your college dates. It tells a new artist to expect at least a year to build momentum.Its page ↗
NACA LiveAssociation · campus buyersShowcasing takes national associate membership, and each act needs a bio, photo and pricing. The application fee is $195; NACA Live runs 19–22 February 2027 in Columbus, Ohio.Its page ↗
Warshaw EntertainmentAgency · cruisesAn original family-friendly show and an adult (18+) show, each 30–55 minutes long. Comics are typically away three to seven days at a time.Its page ↗
Lime EntertainmentAgency · cruises90+ minutes of clean material.Its page ↗
Your booking pack

Easy to say yes to

Tick what you have ready. A good pack makes a booker's decision quicker; the set itself is still what they're buying.

0 of 7 ready

The Club Directory gives each room's own way to get booked.

Before you say yes

What the date leaves you

A gig and a paycheck are different numbers. Work it out with your own offer:

Where to send it

62 places a comic can send a submission, each checked on 10 November 2026: 51 published routes, 3 seasonal, 2 to check on the venue's own site first, and 6 closed until their next call. A published route means the buyer says how to apply, not that it has an opening. A venue's contact page isn't a submission inbox, and a window that has closed says closed. Beyond these, the Club Directory lists 346 rooms in 50 states and Washington, D.C., 183 of them saying how a comic gets booked, and Your Team’s directory lists 128 bookers and talent buyers, 38 promoters and 52 agents.

Published routeNew York, NY · Showcase · Email

Gotham Comedy Club, New Talent

A 2–5 minute tape with clean audio and a clear view of you on stage, to be considered for a New Talent Showcase.

Worth knowing. A showcase spot is stage time, not a paid club booking.

Its page ↗
Checked 10 November 2026

Published routeBrooklyn, NY · Showcase · Form

EastVille Comedy Club, Rising Stars

A short bio and a performance video link anyone can open, for the weekly Rising Stars Showcase and other new-talent shows.

Worth knowing. The form also signs you up for an alert when the next showcase is being booked.

Its page ↗
Checked 10 November 2026

Published routeBrooklyn, NY · Club spots · Form

Bushwick Comedy Club, local comics

Local comics have their own submission link; producers pitch a show by email.

Its page ↗
Checked 10 November 2026

Published routeBrooklyn, NY · Club spots · Form

Bushwick Comedy Club, out-of-town comics

Your best five minutes as a YouTube link and a definite window of dates, sent at least two months before them. It books entirely from video, and answers only the comics it picks.

Its page ↗
Checked 10 November 2026

Published routeNew York, NY · Independent show · Form

Tight Pants Comedy

Producers of a showcase at St. Marks Comedy Club; the site’s “Comics: Submit Tape” link is the way in.

Its page ↗
Checked 10 November 2026

Published routeNew York, NY · Produce a show · Pitch

Caveat, pitch a show

Pitch a whole show of 60–90 minutes: Caveat mostly hosts comedy that is smart, nerdy or informative. Not a route to a guest spot.

Its page ↗
Checked 10 November 2026

Published routeForest Park, IL · Club spots · Form

BABS Comedy Club, Local Laughs

Apply through its form for the Friday Local Laughs Showcase; one person books the comics and watches every clip sent.

Its page ↗
Checked 10 November 2026

Published routeNashville, TN · Club spots · Email

Zanies Nashville

Email a 5–10 minute clip, a paragraph about you and your comedy, and any stage references, venues played and headliners you’ve featured for.

Worth knowing. Its booker gets in touch only if there’s an opening.

Its page ↗
Checked 10 November 2026

Published routeLos Angeles, CA · Club spots · Form

Laugh Factory Hollywood

A video submission form on its website for its booking team, and a Tuesday open mic, 5:30–6:30 PM, with sign-up in person from 5:00.

Worth knowing. Its FAQ says neither the form nor the open mic guarantees a booking.

Its page ↗
Checked 10 November 2026

Published routeBurbank, CA · Produce a show · Form

Flappers, independent producers

A proposal for a show you produce: the concept, the room you want, your audience and your marketing plan.

Worth knowing. The form asks whether you can buy $200 worth of tickets to hold the space: know the terms before you agree.

Its page ↗
Checked 10 November 2026

Published routeEugene, OR · Headline · Email

Lexy’s Comedy Club, headliners

Headlining is for comics with an established body of work and a 45–60 minute set; its page lists what to send for each kind of opportunity.

Its page ↗
Checked 10 November 2026

Published routeEugene, OR · Audition · Form

Lexy’s Comedy Club, Eugene’s Got Jokes

A 5–10 minute set as a video link, a headshot and your website or EPK, to audition with two 5-minute sets before a live audience and a panel of bookers.

Worth knowing. Auditioning means agreeing to be recorded: read its recording and media consent first.

Its page ↗
Checked 10 November 2026

Published routeSeattle, WA · Audition · Form

Laughs Comedy Club

Its auditions and booking sign-up form; the club’s founder is its new-talent coordinator.

Its page ↗
Checked 10 November 2026

Published routeSeattle, WA · Club spots · Form

Emerald City Comedy Club

Its contact page says it is accepting comics’ submissions, through the form it links.

Worth knowing. Its email address on that page is for tickets, not bookings.

Its page ↗
Checked 10 November 2026

Published routeLafayette, LA · Club spots · Form

Lafayette Comedy

A 5–10 minute stand-up video, not set to private, the role you want (host, opener, feature, headliner) and references who can vouch for you. Its own examples of set lengths: a feature 10–25 minutes.

Worth knowing. It mostly brings in national touring comics; the showcases are where it books others.

Its page ↗
Checked 10 November 2026

Published routeCleveland, OH · Independent show · Email

Henceforth Comedy

A high-quality video of a recent five-minute set and your credits: festivals, clubs, television and other professional bookings.

Worth knowing. It can’t answer every submission; send again after 90 days with a new video.

Its page ↗
Checked 10 November 2026

Published routeDayton, OH · Independent show · Form

Gem City Comedy

A form for comics in the Dayton and greater Miami Valley scene: tell it about you and add a clip of your work, to be kept in mind for future shows.

Its page ↗
Checked 10 November 2026

Published routeTulsa, OK · Club spots · Form

Bricktown Comedy Club

The club’s contact page links BARK Entertainment’s comic submission form, shared by its clubs: choose Bricktown Comedy Club, Tulsa, and the positions you want (MC, showcase, feature, headliner), with a video (5 minutes recommended), the clubs you’ve worked in the past 12 months and any referrals from comics who work for it.

Worth knowing. Once you’re passed, you go on its avails email, sent at least once a quarter: the only way to submit for dates. It may not answer every submission, and it welcomes new video every six months.

Its page ↗
Checked 10 November 2026

Published routeTulsa, OK · Open mic · Form

Bricktown Comedy Club, open mic

Sign up online between the 1st and the 15th for the next month’s open mics, or arrive between 6:00 and 6:50 PM for one of three walk-in spots.

Worth knowing. An open mic is stage time, not a paid spot.

Its page ↗
Checked 10 November 2026

Published routeHouston, TX · Independent show · Form

Punchlines on the Patio, Houston

Its contact form has a choice for “comedian looking for stage time”.

Worth knowing. It has many requests for a few spots a show.

Its page ↗
Checked 10 November 2026

Published routeCorpus Christi, TX · Independent show · Form

Punchlines on the Patio, Corpus Christi

Its booking form has a choice for “comedian looking for stage time”.

Its page ↗
Checked 10 November 2026

Published routeFlorida, New Jersey, Pennsylvania, Texas · Show / roster · Form

Comic Cure

An online form to be considered for its shows in several regions, and a way to update your video link later.

Worth knowing. Dates for particular events on the page may be past ones.

Its page ↗
Checked 10 November 2026

Published routeNationwide · College market · Email

GP College Entertainment

At least 5–8 minutes of clean, college-appropriate material on video, a bio of 200 words at most, two high-resolution photos and your college dates.

Worth knowing. A submission to an agency isn’t a booking or a promise of representation.

Its page ↗
Checked 10 November 2026

Published routeNationwide · Cruise market · Form

Warshaw Entertainment

An original family-friendly show and an adult (18+) show, each 30–55 minutes; comics are typically away three to seven days at a time.

Worth knowing. Read the agency’s and the cruise line’s contracts before signing.

Its page ↗
Checked 10 November 2026

Published routeSoutheastern Virginia and beyond · Show / roster · Form

Wild Hair Entertainment

A form to join its list of comics asked for availability: your experience, a bio and a link to a 5–10 minute performance clip.

Worth knowing. Being on an availability list isn’t an offer of work.

Its page ↗
Checked 10 November 2026

Published routeNationwide · Clean comedy · Form

Clean Comedy Collective

Its comedian form, the first step to booking gigs with the clean-comedy network; producers have a form of their own.

Worth knowing. Joining the network doesn’t promise a date or a fee.

Its page ↗
Checked 10 November 2026

Published routeHouston, TX · Independent show · Form

Comedy Space

Apply to work with it: one to three video clips (YouTube or Vimeo) and your experience.

Its page ↗
Checked 10 November 2026

Published routeOklahoma City, OK · Club spots · Form

Bricktown Comedy Club

The club’s contact page links BARK Entertainment’s comic submission form, shared by its clubs: choose Bricktown Comedy Club, Oklahoma City, and the positions you want (MC, showcase, feature, headliner), with a video (5 minutes recommended), the clubs you’ve worked in the past 12 months and any referrals from comics who work for it.

Worth knowing. Once you’re passed, you go on its avails email, sent at least once a quarter: the only way to submit for dates. It may not answer every submission, and it welcomes new video every six months.

Its page ↗
Checked 10 November 2026

Published routeOklahoma City, OK · Open mic · Form

Bricktown Comedy Club, open mic

Open mics on Tuesdays and Wednesdays: sign up online between the 1st and the 15th for the next month’s, with the lineup emailed on the month’s last Wednesday, or arrive between 6:00 and 6:50 PM for one of three walk-in spots.

Worth knowing. An open mic is stage time, not a paid spot.

Its page ↗
Checked 10 November 2026

Published routeOklahoma City and Tulsa, OK, and its other clubs · Club spots · Form

BARK Entertainment, paid MC

What it looks for in a paid MC, before you apply: a clean 10–15 minute set, no worse than PG-13 even when the headliner works dirty, and a comic who’s easy to work with, polite to staff, sober on stage and keen to learn the MC announcements.

Worth knowing. Its page calls MCing a difficult position that sets the tone of the night, and not for everyone.

Its page ↗
Checked 10 November 2026

Published routeTulsa, OK · Club spots · Email

The Loony Bin

Email a full-length, unedited set: 15 minutes for MC, 30 for feature, 45 for headliner. With it: the full-week clubs you’ve worked in that position, your avails for the next 12 months, a bio and headshot or press pack, any recommendations, your phone and email, and your social media.

Worth knowing. It won’t download a program or sign up to a service to watch a video, and it gets in touch only if your act is a match.

Its page ↗
Checked 10 November 2026

Published routeRaleigh, NC · Festival · Form

Raleigh Comedy Festival, comic submissions

Your best unedited 5-minute tape in front of a live audience, on a link that stays active through February 2027. Its 2027 call closes on 15 November 2026: $25 for a feature comic, free for comics who live in North Carolina. The festival runs 18–20 March 2027, with two sets for each comic picked.

Worth knowing. Broken or private links are disqualified without a refund. The festival doesn’t record the sets; you may film your own.

Its page ↗
Checked 10 November 2026

Published routeChicago, IL · Festival · Form

Windy City Comedy Festival, 2027 submissions

A continuous 5–7 minute set of your original material, with no “best of” or highlight reels, unlisted but not private. Open since 1 November 2026: $20 in November, $25 in December, $30 late. Comics must be 21 or older; the comics it picks hear in April 2027, for the festival on 5–8 August 2027.

Worth knowing. Its page gives both January and 14 February 2027 as the close: send by January to be safe. Fees aren’t refunded, and it’s a showcase with no cash prizes.

Its page ↗
Checked 10 November 2026

Published routeCalgary, AB, Canada · Competition · Form

FunnyFest Comedy Competition

A link to an unedited 5-minute performance, a bio of 100 words or less and your tier (opener, middle or headliner), for comics who aren’t yet headliners. No fee to apply; applications close on 1 February 2027, for rounds in Calgary from 8 April 2027 and one round on Zoom.

Worth knowing. It normally answers only the comics it picks, and the material must be your own.

Its page ↗
Checked 10 November 2026

Published routeTemecula, CA · Festival · Form

LouddMouth Comedy Festival

Its home page says comedian submissions are open for its 2027 spring festival, 1–4 April 2027 in Temecula, through the form it links; the form lists comedian competitions, showcases and networking among the festival’s events.

Worth knowing. The home page gives no closing date or fee: read the form through before you send.

Its page ↗
Checked 10 November 2026

Published routeLondon, England · Distribution · Form

NextUp Comedy, submit a recording

Submissions of existing recordings, from a 10-minute set to a long-form special, filmed on at least two HD cameras with clean sound and an audible audience, for its apps and partner platforms. It can also film or stream a show.

Worth knowing. Its catalog is mostly British comedy. Read the rights, the term and the territory before you agree to anything.

Its page ↗
Checked 10 November 2026

Published routeEugene, OR · Produce a show · Email

Lexy’s Comedy Club, produce your own show

For producers with a proven show concept, an established audience and a track record: a show description, promotional images, a promo reel from the actual show, links to past shows, attendance and ticket sales averages or reports, your website or EPK, and the dates you want.

Worth knowing. It is building a permanent home in Eugene; for now its shows are pop-ups.

Its page ↗
Checked 10 November 2026

Published routeBrooklyn, NY · Open mic · In person

EastVille Comedy Club, open mics

Open mics through the week: comics sign up in person, arriving 30 minutes early, first come, with the lineup set on the day; five minutes a comic, varying with the lineup’s size.

Worth knowing. No email or phone sign-ups, and a one-drink minimum for comics. An open mic is stage time, not a paid spot.

Its page ↗
Checked 10 November 2026

Published routeLakewood, OH (Cleveland) · Bucket spots · In person

Henceforth Comedy, One More Joke

For comics based in Cleveland: at One More Joke, its Tuesday showcase at The Winchester in Lakewood, comics put their names in the bucket for a chance at a one-minute spot. Comics who can’t attend regularly may send a five-minute video instead.

Worth knowing. Bucket spots aren’t guaranteed; its page says the more it sees you perform and work on your act, the more likely it is to consider you for a longer showcase spot.

Its page ↗
Checked 10 November 2026

Published routeBurbank, CA · Audition · In person

Flappers Comedy Club, auditions

Happy Hour Auditions on Wednesday nights, 6:30–7:30 PM in its bar: pre-register by claiming a free ticket on its website, and bring your best two-minute set. Feedback comes afterwards.

Worth knowing. Slots fill fast: it sees the first 25 comics who sign up.

Its page ↗
Checked 10 November 2026

Published routeDenver, CO · Showcase · Sign-up

Comedy Works, New Talent Night

Sign up on its New Talent site for each week you can perform; it picks the comics who have signed up most and gone longest without a set, and first-timers get a two-minute set. Comics visiting Denver use the stand-by list at the upstairs bar, out from 6:30 to 7 PM on show nights.

Worth knowing. Its FAQ says a first set generally takes 8 to 10 weeks of signing up.

Its page ↗
Checked 10 November 2026

Published routeNew York area, and touring · Clean comedy · Email

The Ivy League of Comedy and Liberty Comedy, spots for comics

Paid spots on clean shows at venues public and private: email a link to at least ten minutes of unedited video (or a late-night TV set), a bio or list of credits, at least one high-resolution professional headshot and, if you have one, a reference from a comic it already works with.

Worth knowing. Its Ivy League of Comedy shows book full-time working comics; its Liberty Comedy shows can book comics with less experience, for shorter sets.

Its page ↗
Checked 10 November 2026

Published routeInternational · Cruise market · Form

Lime Entertainment, comics

Comics with 90+ minutes of clean material and the range for very different audiences: send videos of your stand-up through its application.

Worth knowing. Its FAQ says that where a line’s arrangement calls for it, it takes a commission from the salary on board: read its terms before you sign.

Its page ↗
Checked 10 November 2026

Published routeCarnival Cruise Line ships · Cruise line · Through an agent

Carnival Entertainment, comedians

Guest entertainers come to it through an agent. For comics: 90 minutes of different material (a 30-minute family-friendly show and two 30-minute adult shows), credits and bio as a PDF, a headshot, and two videos of show work, one PG and one adult. A gig is five performances, repeats included.

Worth knowing. It asks agents who aren’t yet set up with it to contact its guest entertainer team: without an agent, start with one.

Its page ↗
Checked 10 November 2026

Published routeRoyal Caribbean ships · Cruise line · Profile

Royal Caribbean, Headliner Entertainment

Its Headliner Entertainment careers list a Comedians position: professional comics who can work a comedy club or a theater setup, with at least an hour of varied material, clean and adult. Apply online by creating a profile on its site.

Worth knowing. Its list of positions loads with the page’s script. You must be 18 or older to be hired.

Its page ↗
Checked 10 November 2026

Published routeMinneapolis, MN · Cruise market · Form

G.L. Berg Entertainment, cruise guest headliners

Representation for guest headliners, comedians among them: a full-length, stage-ready show with a record of playing captive audiences, a valid passport, a high-quality promo reel, and full-show footage if you have it (raw footage accepted). Engagements are fly-on, fly-off, generally 2–6 days.

Worth knowing. It says it may not answer quickly, and gets in touch when it sees an opportunity. Representation isn’t a booking.

Its page ↗
Checked 10 November 2026

Published routeNationwide · College market · Email

KP Comedy, representation inquiries

A college comedy agency’s representation inquiry: a bio, a headshot, your experience in the college market, your credits, your website and social links, and a video demo of 4–8 minutes, sent to the address on its page.

Worth knowing. It asks for a college-appropriate video, not a club set with a note that you can be clean, and does most of its reviewing in May and November.

Its page ↗
Checked 10 November 2026

Published routeNationwide · College market · Form

Neon Entertainment, artists seeking representation

A form for entertainers looking for a college agent: the type of act, a bio, a headshot and a link to a quality video of a live performance, with clear picture and sound.

Worth knowing. It reaches out only if it’s interested. A submission to an agency isn’t a booking or a promise of representation.

Its page ↗
Checked 10 November 2026

Published routeAstoria, NY · Produce a show · Form

Q.E.D. Astoria, producing a show

Tell it about your show or event through the form on its page. Its baseline for new shows and producers: a ticket split with no rental or up-front costs, up to 50 tickets, generally, at a price you set; the first $50 to $125 in sales, by night, goes to Q.E.D., producers guarantee that amount, and the rest is split 50/50.

Worth knowing. It asks its producers not to produce or regularly host other shows in Astoria within two months before or after their Q.E.D. show.

Its page ↗
Checked 10 November 2026

Published routeChicago, IL · Produce a show · Form

The Lincoln Lodge, show submissions

Its show submission form, linked from its own site: what the show is and why it’s unique, a one-off or a regular run, the theater size you want and your availability. Its theaters rent at a flat rate, and you keep the ticket sales after that.

Worth knowing. Its form says that for now it has room only for monthly regular runs, not weekly or daily shows.

Its page ↗
Checked 10 November 2026

Published routeDenver, CO · Independent show · Email

Rotating Tap Comedy

Shows at craft breweries across the Denver metro area, with comics from across the country: email your name, a submission tape and the dates you’re looking to be booked.

Its page ↗
Checked 10 November 2026

Seasonal: check firstDurango, CO · Club spots · Form

Durango Comedy

Its 2026 performer form, for openers (5 minutes) to headliners (up to 60) and hosts; national and non-regional headliners are booked by invitation only.

Worth knowing. A 2026 form: check that it’s still taking names before you send.

Its page ↗
Checked 10 November 2026

Seasonal: check firstSt. Paul, MN · College market · Membership

NACA St. Paul, regional showcase

Showcasing at a NACA regional conference takes associate membership first (a regional membership covers one conference a year), then a $180 showcase application, a booth and a full registration. Of the 2026–27 regional conferences, NACA St. Paul (8–10 April 2027) is still taking showcase applications, until 7 January 2027.

Worth knowing. The costs add up, and delegates are expected to stay in the conference hotel block: price the trip first. An act that has never showcased at NACA, with minimal tech needs, can also apply for its People’s Choice Showcase, for St. Paul by 11 February 2027.

Its page ↗
Checked 10 November 2026

Seasonal: check firstHershey, PA · College market · Membership

APCA National Campus Activities Conference

Join APCA first (a self-represented artist membership is $269 a year), then apply to showcase at its national conference, 27 February to 2 March 2027: there’s no application fee, and nothing to pay until a showcase is accepted. A 10-minute non-catered showcase package is $2,399, a booth included.

Worth knowing. If you’re accepted, you also need a delegate pass ($549 early, by 25 January) and a room in the conference hotel block, and payment is due within 10 days of the showcase notice.

Its page ↗
Checked 10 November 2026

Check its own page firstLos Angeles, CA · Produce a show · Pitch

Dynasty Typewriter, show submissions

The venue’s own Show Submissions page holds its form for pitching a show; open it to see what the form asks before you pitch.

Worth knowing. The form is drawn by the page’s script, so what it asks can change without the page saying so: read it the week you pitch.

Its page ↗
Checked 10 November 2026

Check its own page firstTulsa, OK · Club spots · Email

Tulsa Comedy Club

Its FAQ asks comics to email a 5–10 minute clip.

Worth knowing. The same FAQ still says its kitchen reopens in early fall 2022: check that the club still answers before you count on it.

Its page ↗
Checked 10 November 2026

ClosedColumbus, OH · College market · Membership

NACA Live, college showcase

Showcasing at NACA Live (19–22 February 2027) takes national associate membership, a $195 application fee and showcase fees; the showcase applications closed on 2 November.

Worth knowing. Closed for 2027: watch for the next cycle. The fees are significant.

Its page ↗
Checked 10 November 2026

ClosedAlbuquerque, NM · Festival · Form

Albuquerque Funny Fiesta

Its submissions page says, at the top, that submissions are now closed.

Worth knowing. Closed: watch for its next call.

Its page ↗
Checked 10 November 2026

ClosedProvidence, RI · Festival · Form

Lil Rhody Laugh Riot

Its submissions page now asks for a password: the last call for comics has ended.

Worth knowing. Watch for its next call.

Its page ↗
Checked 10 November 2026

ClosedNationwide · Competition · Form

Don’t Tell Comedy, the competition

Entries for its 2026 competition closed on 4 September 2026.

Worth knowing. Closed: watch for the next year’s call.

Its page ↗
Checked 10 November 2026

ClosedTulsa, OK · Festival · Form

Blue Whale Comedy Festival

Its 2026 call closed on 30 April. Its stand-up slots ran from a 5–7 minute host to a 35–45 minute headliner, from a clip of at least 5–10 minutes before an audience, with a fee to apply ($20 early to $50 late).

Worth knowing. Closed: watch for its next call. Performers aren’t paid; its page lists bookings on its shows through the year among the perks.

Its page ↗
Checked 10 November 2026

ClosedWinnipeg, MB, Canada · Festival (TV) · Email

Winnipeg Comedy Festival, televised shows

It casts stand-up sets for five themed TV shows: an 8–10 minute set as an unlisted link, material new to a national audience and unaired on national TV or streaming, and a bio showing at least five years of stand-up. Its 2027 call closed on 31 October 2026; the festival runs 26 April–2 May 2027.

Worth knowing. Closed: watch for its next call. It books US and international acts only occasionally, because of Canadian content requirements.

Its page ↗
Checked 10 November 2026
Your passport

Your stops, kept on this device

Mark a stop Working on it or Done, tick its moves, and keep a link and a note: each change is dated, and the dates make your career's timeline. It stays in this browser on this device unless you save it to the cloud below, scrambled with your own key. Download a copy now and then too, and load it on a new phone or computer.

By lane

Where you've been

    Your stops

    Working on it, and done

      Nothing marked yet. Open a stop on the map and choose Working on it or Done.

      Saved in this browser

      Your timeline

      Your career, by the day

        Nothing yet. Each status you set, and each step and piece of proof you tick on a stop's roadmap, goes here with its day.

        Once a year

        Your yearly review

        No review yet.

          Your booking desk

          The places you're pitching

          Save a place from Where to send it and keep its status, your follow-up date and a note. A follow-up date that has come round is marked here.

            Nothing saved yet. Open Where to send it and choose “Save to my booking desk” on a place you'll pitch.

            The next ninety days

            Your 90-day plan

            One goal and up to twelve steps, starred on a stop's roadmap. Choose fewer than you think.

              On every device

              Your passport in the cloud

              A free, private copy that opens on a new phone or computer with your passport key: no account, no email, no password. It is scrambled in this browser before it leaves, and only your key opens it, so keep the key safe. It holds everything here, your booking desk, and Stage Time's joke notebook and set log. How it's kept

              Sources

              The buyers' requirements are quoted from each buyer's own page, checked on 10 November 2026. A buyer can change its rules at any time, so read its page before you send anything.

              About the atlas

              By D.O.C. Editorial. The Stand-Up Career Atlas lays out the work of a stand-up career as a common start, five paid routes and a discovery lane. It is a way to plan, not a survey, a ranking or a salary table: it gives no pay figures, no expected years and no odds, and no stop promises a booking. Each stop links to the D.O.C. pages that go deeper, most of them drawn from D.O.C.'s companion book, Stand-Up Comedy: From Writing to Touring.

              More for working comics

              Updated · Comic's Corner · Privacy