A corporate or private event books comedy for a purpose, so the question is whether this event suits your act. Choose the kinds of event that fit, ask about the audience, timing, content and sound before you quote, and send each buyer an offer made for their event, with a set length, what you need and a price.
Where you are, the tests for the next stop, and the steps between, in the order most comics take them. The
steps are the Career Field Manual's; mark each one as you go, and the day goes in your passport.
You’re here if…
Comic booking direct: you, the organizer, and an offer
You have a tested clean set and a package you’d send to anyone.
You’ve played a private or community event, or you know people who run them.
You’re ready to approach event organizers and agencies, not only clubs and shows.
You aren’t sure yet what to charge, or what to ask before you name a price.
These are the tests the next stop’s buyers set in their own published rules. Tick each one when it’s true for you.
0 of 4 true
The playbook
13 steps in 4 parts, from the Career Field Manual. Each has its “done when”, a D.O.C. tool for it, and
your status, note and target date; star up to twelve for your 90-day plan.
Choose the events that suit you
From the Career Field Manual: Explore specialty markets, Choose help when it solves a problem and Find and pitch the right rooms. In the D.O.C. book:
topics 132–142, 143–173, 290–313 and 143–196.
01
Explore specialty markets · specialty-04
Research three corporate or private-event buyer requirements
Read what three event buyers or agencies publish on their own pages: how long, how clean, and what they promise their clients.
Done when Requirements linked to first-party sources.
Know the stage you’ll getBanquet risers and dance floors aren’t club stages.Stages beyond the clubs →
Book other dates on the tripOne event can anchor a run of shows nearby.The Tour Planner →
Each week
Your weekly rhythm here
Habits, not a timetable: the atlas has no stopwatch. Keep these going, and the proof for this stop builds
up week by week.
List three eventsAdd three events that suit your act to your lead list: a fundraiser, an association dinner, a company party.
Find who booksFor each, find the person who books the entertainment, from the organization’s own page.
Send one offerSend one courteous, specific note to the person who books, made for that event.
Follow up onceFollow up on one note sent earlier, on the date you set, and log the answer.
Ask before you quoteWhen someone answers, ask your questions first, and quote after.
Keep the act sharpKeep doing your clean set in public rooms, so the act you sell is the act you do.
What buyers check
In their own words
Each buyer's published rule, quoted from its own page, checked on 10 November 2026. They differ, so send each one
what its page asks for, and read the page again before you send.
A clean-comedy producer’s terms for event clients
Ivy League of Comedy FAQ
For a corporate show, usually one comic, it recommends 20–30 minutes, after dinner; and it expects a corporate comic to be clean and to know corporate audiences.
For a corporate show, which is usually one comedian, we recommend 20-30 minutes.
After dinner is best.
A corporate comedian should be clean but also have experience with corporate audiences and corporate norms and practices.
Comedy shows for fundraisers, with performers chosen to suit the audience, for nonprofits, professional associations, schools and booster groups, civic groups, fire halls and rescue squads.
Comedy for corporate events, colleges, fundraisers, conferences and private events. Many of its clients ask for clean material, and the comedy is adjusted to the audience and the event.
Comedy programming for corporate events, colleges, fundraisers, conferences, and private events.
Many clients request clean material for professional and mixed-audience settings.
Comedy is adjusted to audience type, event environment, and program goals
Places that publish how an event comic gets in, each checked on 10 November 2026. Save one to your booking
desk to keep its status, a follow-up date and a note. 62 places in all, on the Career Atlas →
Published routeNew York area, and touring · Clean comedy · Email
The Ivy League of Comedy and Liberty Comedy, spots for comics
Paid spots on clean shows at venues public and private: email a link to at least ten minutes of unedited video (or a late-night TV set), a bio or list of credits, at least one high-resolution professional headshot and, if you have one, a reference from a comic it already works with.
Worth knowing. Its Ivy League of Comedy shows book full-time working comics; its Liberty Comedy shows can book comics with less experience, for shorter sets.
None of the buyers on this page publishes what it pays a comic, so this page gives no figure. Ask the questions first, then quote a price for this event, and put it in writing.
Before you name a price
How many people, and who they are to each other
When you go on, and what comes before and after
Your set length, and whether they want hosting too
Fill in what you know once: it fills every note below and stays on this device. Anything left blank shows in
[brackets], to fill in by hand.
Your details
The note to an event’s organizer
Subject: Clean stand-up for [The event]
Hi [The organizer's name],
I'm [Your name], a clean stand-up comedian from [Your home town]. I'm writing because [Why you're writing to them].
I do a [Your set length, in minutes]-minute clean set for [The audiences it suits], and I can host or emcee as well. A clip: [Your clip's link]
If comedy might suit [The event], I'd be glad to send a quote once I know a little about the audience and the evening.
Thank you,
[Your name]
The note to an agency that books events
Subject: Clean comedian submission: [Your name], [Your home town]
Hi,
I'm [Your name], a clean stand-up from [Your home town], submitting the way your page asks.
Video, [Your set length, in minutes] minutes, unedited: [Your clip's link]
Bio and credits, as they are: [Your SUCDb record or website]
References: [Your references]
I'm available [The dates you can do].
Thank you for looking,
[Your name]
Questions to ask before you quote
1. What's the event, and why are you adding comedy?
2. How many people, what ages, and do they know each other?
3. When would I go on, and what comes before and after?
4. How long would you like the set? Do you need a host or emcee as well?
5. What's the content rule? Any topics to leave alone?
6. Is there a hand-held microphone, someone on sound and light on the stage? Will the audience be seated?
7. Who signs the agreement, and who pays?
8. Is there a budget for the entertainment?
The quote
Subject: Your quote: [Your name] for [The event]
Hi [The organizer's name],
Thank you for the details. For [The event] on [The event's date]: a [Your set length, in minutes]-minute clean set. Also included: [Anything else included: hosting, an emcee spot].
The fee is [Your fee], which covers [What the fee covers: travel, a second set].
To hold the date: [Your deposit and balance terms].
What I need: a hand-held microphone, the audience seated, and light on the stage.
If that works for you, I'll send a short agreement to sign.
Best,
[Your name]
Your proof
Proof for your passport
Tick each piece when you have it: the day goes in your passport with it. The passport keeps your whole
career's record on this device, to download, print and review once a year.
The evidence
This stop is done when you have
Your status
Pitch the right buyers
On your record
Nothing yet: your status changes and ticks appear here, each with its day.
The buyers' rules are quoted from each buyer's own page, checked on 10 November 2026. A buyer can change its rules at
any time, so read its page before you send anything.
The D.O.C. bookThe playbook's book topics, matched to the book's contents on 10 November 2026.
About this roadmap
By D.O.C. Editorial. This is one stop of the Stand-Up Career Atlas: private & corporate,
stop 3 of 5. It's a way to plan, not a promise of bookings: it gives no expected years, its only figures are
the ones buyers and venues publish on their own pages, and the buyers' rules are theirs. For how corporate comedy is bought, read
How do corporate comedy gigs work?.