A usable tape is one continuous take of a set, with the room’s laughs audible and you clearly in view, at the length the buyer asks for. Film with the room’s permission, check the tape against each buyer’s own page, and keep a link that opens for anyone.
Where you are, the tests for the next stop, and the steps between, in the order most comics take them. The
steps are the Career Field Manual's; mark each one as you go, and the day goes in your passport.
You’re here if…
Comic with a reliable short set
You have a five that has worked in more than one room, more than once.
Rooms you’d like to play ask for a tape, and you don’t yet have one you’d send.
You’ve recorded sets for yourself on a phone, and listened back.
You’re ready to be judged on video by someone who wasn’t in the room.
These are the tests that showcase and club buyers set in their own published rules. Tick each one when it’s true for you.
0 of 4 true
The playbook
15 steps in 4 parts, from the Career Field Manual. Each has its “done when”, a D.O.C. tool for it, and
your status, note and target date; star up to twelve for your 90-day plan.
Have a set worth taping
From the Career Field Manual: Grow the act without padding. In the D.O.C. book:
topics 51–70, 115–131 and 435–455.
01
Grow the act without padding · set-01
Build a dependable five-minute set
Done when Two or more performances that fit the slot.
From the Career Field Manual: Become the comic rooms trust, Do the first set, Assemble booking proof and Build a repetition habit. In the D.O.C. book:
topics 400–434, 71–114, 143–173, 96–114 and 415–434.
04
Become the comic rooms trust · pro-02
Confirm each room’s code of conduct and recording rules
Ask before you film: rooms set their own rules for cameras, and some record their shows and may give you your set.
Done when A note for rooms with different expectations.
Prepare a live-set submission clip to each outlet’s rules
Gotham asks for 2–5 minutes, Bushwick your best 5 as a YouTube link, Lafayette 5–10 not set to private. For a shorter ask, send one continuous stretch of the set, never pieces joined together.
Done when A compliant clip with current requirements.
Frame the whole actA camera that sees your hands sees your timing.Recording your sets →
Open strongPut a dependable opener first: the first minute decides a lot.Building a five →
Keep a clean version on tapeMore rooms can say yes to it.A clean set →
Keep it in one placeA record that holds your clip, bio and photo.Your SUCDb record →
Know a tape from a postA tape for a booker and a clip for fans are different jobs.Clips for social →
Each week
Your weekly rhythm here
Habits, not a timetable: the atlas has no stopwatch. Keep these going, and the proof for this stop builds
up week by week.
Film when the room allowsAsk first, then film a whole set from one spot.
Watch it like a bookerWatch your first minute with the sound on: would you keep watching?
Check the soundIf you can’t hear the laughs, move the camera or the recorder next time.
Keep your best takeKeep one current tape for each length a buyer you want asks for.
Read one buyer’s pageRead one room’s submission rules again, and note any change.
Test the linkOpen your link signed out, on a phone, before you send it anywhere.
What buyers check
In their own words
Each buyer's published rule, quoted from its own page, checked on 10 November 2026. They differ, so send each one
what its page asks for, and read the page again before you send.
A club’s published submission rules
Gotham Comedy Club
A 2–5 minute tape with clean audio and a clear view of you on stage; each New Talent Showcase comic gets a pro-quality tape of the set.
Send us a 2–5 minute tape (clean audio and a clear view of you on stage).
Places that publish how a comic’s tape gets in, each checked on 10 November 2026. Save one to your booking
desk to keep its status, a follow-up date and a note. 62 places in all, on the Career Atlas →
Published routeNew York, NY · Showcase · Email
Gotham Comedy Club, New Talent
A 2–5 minute tape with clean audio and a clear view of you on stage, to be considered for a New Talent Showcase.
Worth knowing. A showcase spot is stage time, not a paid club booking.
Your best five minutes as a YouTube link and a definite window of dates, sent at least two months before them. It books entirely from video, and answers only the comics it picks.
A 5–10 minute stand-up video, not set to private, the role you want (host, opener, feature, headliner) and references who can vouch for you. Its own examples of set lengths: a feature 10–25 minutes.
Worth knowing. It mostly brings in national touring comics; the showcases are where it books others.
A usable tape doesn’t need a crew: Lafayette Comedy tells its open-mic comics to set a phone on the stool and record, and Gotham Comedy Club gives each New Talent Showcase comic a pro-quality tape of the set. None of the buyers quoted here asks a fee to watch a tape. What to settle first is permission, and who may use the footage.
Settle before you film
Permission to record, from the room
Who films, and whether they’re paid
Who may use the footage, and where it may be posted
Whether the room records its shows, and when you’d get your set
A link that opens for anyone, and how long it stays up
Fill in what you know once: it fills every note below and stays on this device. Anything left blank shows in
[brackets], to fill in by hand.
Your details
Asking the room before you film
Subject: Recording my set on [The show's date]
Hi [The booker's or producer's name],
I'm on the lineup at [The room] on [The show's date]. May I record my own set for a booking tape? One camera, set up before the doors open and out of the audience's way, and only my set.
If the room records its shows, I'd be glad of a copy of my set instead.
Thank you,
[Your name]
A brief for whoever holds the camera
Thanks for filming. Here's all it needs:
1. Start before I'm introduced and stop after I'm off: one take, no cuts.
2. Keep me in the frame, waist up, with my hands in shot.
3. No zooming and no moving once it's rolling.
4. Keep the camera near the audience, so the laughs come through.
5. Send me the file itself: [Where to send the file]
The tape check, before you send
Tape: [Your tape's link]
Room and date: [The room], [The show's date]
Length: [The tape's length, in minutes] minutes, one continuous take
The laughs are audible: yes / no
I'm in the frame the whole time: yes / no
The link opens signed out: yes / no
The length [The buyer you're sending to] asks for: [The length that buyer asks for]
Questions to ask before you film
1. May I record my set, and with what: a phone, a camera or a recorder?
2. Where can a camera go without blocking anyone's view?
3. Does the room record its shows, and could I have my set?
4. Can I take a sound feed from the desk, or should I record the room?
5. Is the clip for submissions only, or may I post it?
Your proof
Proof for your passport
Tick each piece when you have it: the day goes in your passport with it. The passport keeps your whole
career's record on this device, to download, print and review once a year.
The evidence
This stop is done when you have
Your status
A usable live tape
On your record
Nothing yet: your status changes and ticks appear here, each with its day.
The buyers' rules are quoted from each buyer's own page, checked on 10 November 2026. A buyer can change its rules at
any time, so read its page before you send anything.
Comedy Space ↗Its published route, checked 10 November 2026.
The D.O.C. bookThe playbook's book topics, matched to the book's contents on 10 November 2026.
About this roadmap
By D.O.C. Editorial. This is one stop of the Stand-Up Career Atlas: the common start,
stop 3 of 5. It's a way to plan, not a promise of bookings: it gives no expected years, its only figures are
the ones buyers and venues publish on their own pages, and the buyers' rules are theirs. For how to record a set, read
How to record your stand-up sets.